![]() I had to watch these a number of times before I got my head around what he was doing, but you can learn a ton from them, so they're worth watching. This is a crazy interesting video by Juan Melara showing how you can use multiple Colour Space Transform plugins in the node graph in order to have nodes that are 'working' in different colour spaces. This results in deeper blacks, whiter whites and increased contrast in. Full range means that the LUT uses the full video signal range of 0-109, instead of LC709A’s 4-100 range. I've shot Canon cameras in normal profiles with bad WB settings before and you just can't get nice colours out of them, but I did some experiments shooting in C-Log with really really bad WB and exposure and using the above setup you can easily correct them without much damage to the resulting image at all. The result of this was the discovery of a very simple way to create a full range LUT with increased contrast while still using the Sony LC709 Type A gamut. I find that having that first node before the colour space transform allows exposure and WB corrections to be performed similarly to how they would have happened if I'd done them in camera. ![]() OpenFX Colour Space Transform from C-Log to Rec709 Ive received many requests for my opinion on different techniques for grading, correcting, transforming and converting log footage and today were going to. The way I use it is to just have the colour management for the clips set to the defaults, but I convert the colour using the OpenFX Colour Space Transform plugin, which (I believe) does the same thing as the Resolve Colour Management options you are using, but it does it in the node graph, so you can have greater control over how you use it.įor example, if I shot a clip in C-Log I would have a node graph like this:Įxposure and WB corrections using the Lift Gamma Gain controls I use Resolve Colour Management but not in the way you describe above.
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